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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
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Louise Harris

audiovisual composer, sound artist

plexus

Louise, March 30, 2016August 15, 2016

plexus: braid, interweave, entwine.

plexus is a companion piece to pletten, and is a dual screen audiovisual work that is intended for playback on two opposite walls of a dark, square space but can also be exhibited side by side.

The work is a continuing exploration of simultaneous compositional process and the development of complementary sonic and visual forms on a micro- and macro-structural level. Ideally, the two screens should be displayed opposite one another, with the audience situated in the centre of the two, allowing them to engage with the sonic and visual structures being formed in a variety of ways, both within the work itself and in the way the work behaves in a confined space.

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work

Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship

Louise, September 29, 2022July 25, 2023

From April 2022 to May 2023, I will be undertaking a year-long research fellowship exploring the potential applications of creative audiovisualisation for both data exploration and compositional structuring. I’ll be working with a range of collaborators on a number of different datasets and types, and will be posted updates and…

work

OTR

Louise, March 2, 2020March 2, 2020

  OTR is a live, generative audiovisual performance work utilising archival materials – specifically recordings of 1950s USA sci-fi radio dramas.

work

Alocas

Louise, December 14, 2017November 12, 2018

Alocas in situ at the Stephen Lawrence Gallery, Greenwich, London.  Alocas is one of a series of works for Expanded Audiovisual Format (EAF); an ongoing exploration involving pieces that are concerned, in both composition and exhibition, with moving away from a single-screen, two-speaker format. The work is intended to be…

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