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Louise Harris
Louise Harris

audiovisual composer, sound artist

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    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
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Louise Harris

audiovisual composer, sound artist

AllEco

Louise, April 30, 2015August 15, 2016

AllEco was commissioned by Radio Arts (http://www.radioarts.org.uk/) as part of their Dreamlands series.

The work uses recordings of local radio broadcasting from around the UK, from the late 1970s to the late1990s, particularly the jingles and sound bites used to advertise specific programming. Local radio, perhaps more so than national broadcasting, develops strong senses of association for local communities; the repeated melodies and motifs heard therein becoming something of a soundmark for listeners, representing particular times, locations or routines in their daily lives. This work explores some of these soundmarks, particularly from stations I was familiar with during my childhood. Using jingles and other musical fragments, alongside other broadcast snippets, I have attempted to create a dream-like expedition around the cultural and historical broadcast geography of the UK, in which locations, regions and periods in time are hinted at and briefly discovered, then departed from.

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work

OTR

Louise, March 2, 2020March 2, 2020

  OTR is a live, generative audiovisual performance work utilising archival materials – specifically recordings of 1950s USA sci-fi radio dramas.

work

Callicassini

Louise, April 24, 2017April 24, 2017

Callicassini is a two-screen audiovisual work made in response to NASA’s James Webb Space Telescope. The piece uses the honeycomb shape of the telescope as a reference point, and is composed using sound recordings made publicly available by NASA, primarily those of radio emissions from Saturn recorded by Cassini, in…

work

Ether

Louise, March 2, 2020March 2, 2020

Ether is a triple-screen, 6.1 channel audiovisual work premiered at IU South Bend as part of the Performing Media Festival 2020. The work is the next in a series of works exploring two distinct research trajectories – the development of pieces for Expanded Audiovisual Format (EAF); works which seek, in…

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