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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
  • Contact
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Louise Harris

audiovisual composer, sound artist

plexus

Louise, March 30, 2016August 15, 2016

plexus: braid, interweave, entwine.

plexus is a companion piece to pletten, and is a dual screen audiovisual work that is intended for playback on two opposite walls of a dark, square space but can also be exhibited side by side.

The work is a continuing exploration of simultaneous compositional process and the development of complementary sonic and visual forms on a micro- and macro-structural level. Ideally, the two screens should be displayed opposite one another, with the audience situated in the centre of the two, allowing them to engage with the sonic and visual structures being formed in a variety of ways, both within the work itself and in the way the work behaves in a confined space.

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work

Alocas

Louise, December 14, 2017November 12, 2018

Alocas in situ at the Stephen Lawrence Gallery, Greenwich, London.  Alocas is one of a series of works for Expanded Audiovisual Format (EAF); an ongoing exploration involving pieces that are concerned, in both composition and exhibition, with moving away from a single-screen, two-speaker format. The work is intended to be…

work

Eira

Louise, May 13, 2025October 30, 2025

  Eira is an Expanded Audiovisual Format (EAF) work for fulldome projection and multichannel audio. The shape of the work is derived from data concerning loss of global glacier mass since 1945. The work is palindromic, showing the initial contraction of glacial mass over the past 80 years, before showing…

work

line

Louise, September 10, 2012March 19, 2014

line is the result of an investigation into generative systems where sonic material influences visual material. Some correlations are direct; many are hidden.

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