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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
  • Contact
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Louise Harris

audiovisual composer, sound artist

plexus

Louise, March 30, 2016August 15, 2016

plexus: braid, interweave, entwine.

plexus is a companion piece to pletten, and is a dual screen audiovisual work that is intended for playback on two opposite walls of a dark, square space but can also be exhibited side by side.

The work is a continuing exploration of simultaneous compositional process and the development of complementary sonic and visual forms on a micro- and macro-structural level. Ideally, the two screens should be displayed opposite one another, with the audience situated in the centre of the two, allowing them to engage with the sonic and visual structures being formed in a variety of ways, both within the work itself and in the way the work behaves in a confined space.

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work

Living with and living through – a virtual residency

Louise, February 11, 2021May 17, 2021

Living With and Living Through – a virtual residency positioning making as an act of self-care and repair. The Digital Departures Lab at the University of Glasgow, of which I am co-director, is currently facilitating a six-month digital residency on the theme of Living with and living through, positioning making as…

work

Tiros

Louise, March 2, 2020March 2, 2020

  Tiros is a live, 4 video channel, 8.1 audio channel audiovisual performance work, premiered at GLEAM festival in Glasgow, October 2019.  It is an experiment in realtime simultaneous audiovisualisation,  in this case using snowflake fractals to generate both the sonic and visual materials.

work

site

Louise, September 10, 2012March 19, 2014

completed in 2007, site was my first audiovisual work. composed using recordings made in the site gallery in Sheffield, the visual environment was constructed in processing.

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