Built from sounds recorded using an 8-channel, real-time spatialisation system called systemic, controlled via a physics-based visual system built in processing, this is originally an 8-channel work which won the world prize in the Electracoustic Competition Musica Viva 2011.
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Composing Audiovisually
What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and…
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DyingHaunts
November 2022 saw the premiere of my new work, DyingHaunts for Horn Quartet and live, improvised electronics, commissioned and performed by the Rookh Quartet. You can watch the first performance, here. Programme Note: DyingHaunts – for Horn Quartet and Improvised Live Electronics This piece represents my first work with live…