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Louise Harris
Louise Harris

audiovisual composer, sound artist

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    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
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Louise Harris

audiovisual composer, sound artist

DyingHaunts

Louise, July 25, 2023July 25, 2023

November 2022 saw the premiere of my new work, DyingHaunts for Horn Quartet and live, improvised electronics, commissioned and performed by the Rookh Quartet. You can watch the first performance, here.

Programme Note:

DyingHaunts – for Horn Quartet and Improvised Live Electronics

This piece represents my first work with live acoustic instruments in over 15 years and has been an exercise in pure indulgence for me, one in which I’ve had fun just making the sounds I wanted and using those sounds to try to evoke a particular feeling. The sound of the French Horn has always been evocative of a particular time in my life – Sunday evenings as a child, in which I would sit in front of our slightly cranky living room gas fire and watch on our also slightly cranky tv both Jim Henson’s Storyteller and the BBC adaptation of The Chronicles of Narnia. It’s always Christmas when I recall this memory, though I suspect it rarely was (I’m not even sure those shows were on on a Sunday!). For me, though, this memory recalls a sense of contentment, warmth and uncomplicated joy that seems to be a little more difficult to come by as an adult and that, along with the slight murkiness and ambiguity I associate with nostalgia and remembering, is what I’m seeking to explore in this piece.

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work

Auroculis

Louise, June 8, 2017November 20, 2019

Auroculis:  “Vibrant, physical, meditative…” The term Auroculis was initially used for a digital release of three of my pieces on the web label, Deepwhitesound (http://deepwhitesound.com/dws167/). However, both the name of the release and the description of it, written by curator D B Amorin, suggested the potential for further exploration: “Louise…

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sys_m1

Louise, September 10, 2012March 19, 2014

Built from sounds recorded using an 8-channel, real-time spatialisation system called systemic, controlled via a physics-based visual system built in processing, this is originally an 8-channel work which won the world prize in the Electracoustic Competition Musica Viva 2011.

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KEAR miniatures

Louise, August 15, 2016August 15, 2016

  A set of five miniatures made during my KEAR residency at Bowling Green State University, April 2016. These miniatures are intended, ideally, for playback in a fulldome projection format with 8:2 audio. I wrote an extended account of the development of these pieces for the University of Glasgow’s Music Research…

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