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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
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Louise Harris

audiovisual composer, sound artist

Eira

Louise, May 13, 2025October 30, 2025

 

Eira is an Expanded Audiovisual Format (EAF) work for fulldome projection and multichannel audio. The shape of the work is derived from data concerning loss of global glacier mass since 1945. The work is palindromic, showing the initial contraction of glacial mass over the past 80 years, before showing the process in reverse as a call to try and reverse some of the damage done to our natural world. The composition is a combination of direct data audiovisualisation of glacial mass loss, alongside composed sonification using recordings of glacial calving and field recordings from rivers and streams in northern Scotland. It works best in multichannel format – originally it was composed for 52.1, but works well in 10.1 or 6.1 where possible (much of the complex beating between close frequencies is lost in stereo format).

 

Eira was selected for the ISCM World New Music Days Scottish Section Shortlist 2026 – more details here.

 

 

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work

2-4 09

Louise, September 10, 2012March 19, 2014

2-4 09 is part of a series of audio and video pieces creating and exploring relationships between sonic form (through time) and visual form (through space). The sound focuses on a slow evolution of form over a series of iterations. Dynamic shapes in the sonic form are reflected in the…

work

helix

Louise, September 10, 2012September 10, 2012

helix was composed using an extension of the system built for fuzee. helix can be viewed online here

work

KEAR miniatures

Louise, August 15, 2016August 15, 2016

  A set of five miniatures made during my KEAR residency at Bowling Green State University, April 2016. These miniatures are intended, ideally, for playback in a fulldome projection format with 8:2 audio. I wrote an extended account of the development of these pieces for the University of Glasgow’s Music Research…

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