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Louise Harris
Louise Harris

audiovisual composer, sound artist

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  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
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Louise Harris

audiovisual composer, sound artist

Eira

Louise, May 13, 2025May 13, 2025

 

Eira is an Expanded Audiovisual Format (EAF) work for fulldome projection and multichannel audio. The shape of the work is derived from data concerning loss of global glacier mass since 1945. The work is palindromic, showing the initial contraction of glacial mass over the past 80 years, before showing the process in reverse as a call to try and reverse some of the damage done to our natural world. The composition is a combination of direct data audiovisualisation of glacial mass loss, alongside composed sonification using recordings of glacial calving and field recordings from rivers and streams in northern Scotland. It works best in multichannel format – originally it was composed for 52.1, but works well in 10.1 or 6.1 where possible (much of the complex beating between close frequencies is lost in stereo format).

 

 

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indusium

Louise, November 25, 2013August 15, 2016

indusium is an exploration of additive compositional process. Groups of material are added to and extended by step, the visuals reflecting the changing timbral colours caused through unexpected crossovers in pitch and rhythm.

work

axial

Louise, October 13, 2015August 15, 2016

  Axial is intended for projection on a dome-shaped space, such as a planetarium, and is one of a series of compositions investigating expanded audiovisual formats. The compositional structure is continually condensing – essentially composed of five iterations of the same material, each subsequent iteration is heard 1.5 times faster…

work

Callicassini

Louise, April 24, 2017April 24, 2017

Callicassini is a two-screen audiovisual work made in response to NASA’s James Webb Space Telescope. The piece uses the honeycomb shape of the telescope as a reference point, and is composed using sound recordings made publicly available by NASA, primarily those of radio emissions from Saturn recorded by Cassini, in…

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