Skip to content
Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
  • Contact
  • News
Louise Harris

audiovisual composer, sound artist

Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship

Louise, September 29, 2022July 25, 2023

From April 2022 to May 2023, I will be undertaking a year-long research fellowship exploring the potential applications of creative audiovisualisation for both data exploration and compositional structuring. I’ll be working with a range of collaborators on a number of different datasets and types, and will be posted updates and completed works here in due course.

work

Post navigation

Previous post
Next post

Related Posts

work

Auroculis

Louise, June 8, 2017November 20, 2019

Auroculis:  “Vibrant, physical, meditative…” The term Auroculis was initially used for a digital release of three of my pieces on the web label, Deepwhitesound (http://deepwhitesound.com/dws167/). However, both the name of the release and the description of it, written by curator D B Amorin, suggested the potential for further exploration: “Louise…

work

Composing Audiovisually

Louise, May 18, 2020October 15, 2021

What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and…

work

KEAR miniatures

Louise, August 15, 2016August 15, 2016

  A set of five miniatures made during my KEAR residency at Bowling Green State University, April 2016. These miniatures are intended, ideally, for playback in a fulldome projection format with 8:2 audio. I wrote an extended account of the development of these pieces for the University of Glasgow’s Music Research…

©2026 Louise Harris | WordPress Theme by SuperbThemes