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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
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Louise Harris

audiovisual composer, sound artist

Ether

Louise, March 2, 2020March 2, 2020

Ether is a triple-screen, 6.1 channel audiovisual work premiered at IU South Bend as part of the Performing Media Festival 2020. The work is the next in a series of works exploring two distinct research trajectories – the development of pieces for Expanded Audiovisual Format (EAF); works which seek, in both composition and exhibition, to explore expanded sonic and visual possibilities, and the development of a compositional technique I describe as algorithmic aleatoricism.   The work itself is a meditation on elongated tone and form, in which subtle changes to rhythm, pitch and relationships between materials, both sonically and visually, evolve very gradually and almost imperceptibly over time.

 

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work

filigree traces at Plenty?

Louise, September 29, 2022September 30, 2022

Filigree Traces will be part of the Plenty? festival at the Barn, Banchory, October 21st and 22nd this year. Come and play with the music boxes in new spaces and places, and enjoy the huge amount of other artists, musicians and activities taking place. Here’s some information on the work,…

work

NoisyMass

Louise, July 31, 2018July 31, 2018

NoisyMass is a live audiovisual performance work based on the game, Simon, in which one remembers sequences of button presses based on colours/sound being heard. NoisyMass incorporates game play, alongside increased risk and unpredictability, into my live audiovisual performance work.  Built in Max, pd and processing, with the hardware constructed…

work

Composing Audiovisually

Louise, May 18, 2020October 15, 2021

What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and…

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