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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
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Louise Harris

audiovisual composer, sound artist

Ether

Louise, March 2, 2020March 2, 2020

Ether is a triple-screen, 6.1 channel audiovisual work premiered at IU South Bend as part of the Performing Media Festival 2020. The work is the next in a series of works exploring two distinct research trajectories – the development of pieces for Expanded Audiovisual Format (EAF); works which seek, in both composition and exhibition, to explore expanded sonic and visual possibilities, and the development of a compositional technique I describe as algorithmic aleatoricism.   The work itself is a meditation on elongated tone and form, in which subtle changes to rhythm, pitch and relationships between materials, both sonically and visually, evolve very gradually and almost imperceptibly over time.

 

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work

filigree traces

Louise, October 15, 2021February 10, 2023

images c/o Bart Photography   images c/o the artist filigree traces was commissioned as part of Sanctuary 2021, and was a site-specific, participative walking-in-sound work designed to encourage visitors to engage with the shapes, forms, patterns and experience of their environment and how they might think through and explore these…

work

DyingHaunts

Louise, July 25, 2023July 25, 2023

November 2022 saw the premiere of my new work, DyingHaunts for Horn Quartet and live, improvised electronics, commissioned and performed by the Rookh Quartet. You can watch the first performance, here. Programme Note: DyingHaunts – for Horn Quartet and Improvised Live Electronics This piece represents my first work with live…

work

intervention:coaction

Louise, September 19, 2014August 15, 2016

This project is a live, audiovisual, beat-and-noise-based performance work. The intention is to create a symbiotic system, in which live decision making by the performer impacts on both the audio and visual components of the work but also in which both the audio and visual components can interact with one…

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