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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
  • Contact
  • News
Louise Harris

audiovisual composer, sound artist

Alocas

Louise, December 14, 2017November 12, 2018

Alocas in situ at the Stephen Lawrence Gallery, Greenwich, London. 

Alocas is one of a series of works for Expanded Audiovisual Format (EAF); an ongoing exploration involving pieces that are concerned, in both composition and exhibition, with moving away from a single-screen, two-speaker format. The work is intended to be exhibited in a small, very dark space, creating an immersive environment in which the audioviewer is completely enveloped by both the sonic and visual structures formed in the work.   The pitched material in the work is generated algorithmically, then subsequently sculpted and intervened with using both chance and rules-based procedures. The intention, within the confined exhibition space, is that the work both look and sound entirely different dependent on whereabouts in the space one is situated.

 

alocas from Louise Harris on Vimeo.

 

 

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work

Tiros

Louise, March 2, 2020March 2, 2020

  Tiros is a live, 4 video channel, 8.1 audio channel audiovisual performance work, premiered at GLEAM festival in Glasgow, October 2019.  It is an experiment in realtime simultaneous audiovisualisation,  in this case using snowflake fractals to generate both the sonic and visual materials.

work

fuzee

Louise, May 10, 2013August 15, 2016

A fuzee (fusee) is a cone-shaped pulley with a spiral groove used in chord or chain-winding clocks. fuzee is an 8-minute audio/video piece in which sonic momentum is translated into visual movement in a pre-defined and very specific way.

work

KEAR miniatures

Louise, August 15, 2016August 15, 2016

  A set of five miniatures made during my KEAR residency at Bowling Green State University, April 2016. These miniatures are intended, ideally, for playback in a fulldome projection format with 8:2 audio. I wrote an extended account of the development of these pieces for the University of Glasgow’s Music Research…

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