Skip to content
Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
  • Contact
  • News
Louise Harris

audiovisual composer, sound artist

pletten

Louise, September 19, 2014August 15, 2016

pletten: squash, crush, flatten.

(please note: this video contains flashing images.)

pletten is a dual screen audiovisual work that is intended for playback on two opposite walls of a dark, square space but can also be exhibited side by side, as in this version.

The work is an exploration of simultaneous compositional process and the development of complementary sonic and visual forms on a micro- and macro-structural level. Ideally, the two screens should be displayed opposite one another, with the audience situated in the centre of the two, allowing them to engage with the sonic and visual structures being formed in a variety of ways, both within the work itself and in the way the work behaves in a confined space.

work

Post navigation

Previous post
Next post

Related Posts

work

site

Louise, September 10, 2012March 19, 2014

completed in 2007, site was my first audiovisual work. composed using recordings made in the site gallery in Sheffield, the visual environment was constructed in processing.

work

DyingHaunts

Louise, July 25, 2023July 25, 2023

November 2022 saw the premiere of my new work, DyingHaunts for Horn Quartet and live, improvised electronics, commissioned and performed by the Rookh Quartet. You can watch the first performance, here. Programme Note: DyingHaunts – for Horn Quartet and Improvised Live Electronics This piece represents my first work with live…

work

2-4 09

Louise, September 10, 2012March 19, 2014

2-4 09 is part of a series of audio and video pieces creating and exploring relationships between sonic form (through time) and visual form (through space). The sound focuses on a slow evolution of form over a series of iterations. Dynamic shapes in the sonic form are reflected in the…

©2026 Louise Harris | WordPress Theme by SuperbThemes