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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
  • Contact
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Louise Harris

audiovisual composer, sound artist

pletten

Louise, September 19, 2014August 15, 2016

pletten: squash, crush, flatten.

(please note: this video contains flashing images.)

pletten is a dual screen audiovisual work that is intended for playback on two opposite walls of a dark, square space but can also be exhibited side by side, as in this version.

The work is an exploration of simultaneous compositional process and the development of complementary sonic and visual forms on a micro- and macro-structural level. Ideally, the two screens should be displayed opposite one another, with the audience situated in the centre of the two, allowing them to engage with the sonic and visual structures being formed in a variety of ways, both within the work itself and in the way the work behaves in a confined space.

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work

indusium

Louise, November 25, 2013August 15, 2016

indusium is an exploration of additive compositional process. Groups of material are added to and extended by step, the visuals reflecting the changing timbral colours caused through unexpected crossovers in pitch and rhythm.

work

Ether

Louise, March 2, 2020March 2, 2020

Ether is a triple-screen, 6.1 channel audiovisual work premiered at IU South Bend as part of the Performing Media Festival 2020. The work is the next in a series of works exploring two distinct research trajectories – the development of pieces for Expanded Audiovisual Format (EAF); works which seek, in…

work

ilsonilus

Louise, October 13, 2015August 15, 2016

ilsonilus:1 at the Kiblix festival Planetarium The first in a series of large installation works investigating simultaneous sonic and visual illusions. This piece is intended for playback either on 4 walls of a square room, 4 screens arranged in a square, or projection mapped onto a circular/ring-shaped space. ‘1’ investigates…

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