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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
  • Contact
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Louise Harris

audiovisual composer, sound artist

intervention:coaction

Louise, September 19, 2014August 15, 2016

This project is a live, audiovisual, beat-and-noise-based performance work. The intention is to create a symbiotic system, in which live decision making by the performer impacts on both the audio and visual components of the work but also in which both the audio and visual components can interact with one another, causing behaviours that are not directly controlled by the system performer. There is also an element of chaotic behaviour built into the system, causing unpredictable audio and visual outcomes.

 

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work

KEAR miniatures

Louise, August 15, 2016August 15, 2016

  A set of five miniatures made during my KEAR residency at Bowling Green State University, April 2016. These miniatures are intended, ideally, for playback in a fulldome projection format with 8:2 audio. I wrote an extended account of the development of these pieces for the University of Glasgow’s Music Research…

work

Callicassini

Louise, April 24, 2017April 24, 2017

Callicassini is a two-screen audiovisual work made in response to NASA’s James Webb Space Telescope. The piece uses the honeycomb shape of the telescope as a reference point, and is composed using sound recordings made publicly available by NASA, primarily those of radio emissions from Saturn recorded by Cassini, in…

work

ic2

Louise, October 13, 2015August 22, 2018

ic2 is the next stage of the evolution of my performance work, intervention:coaction. ic2 is a live, audiovisual, beat-and-noise-based performance work. The intention is to create a symbiotic system, in which live decision making by the performer impacts on both the audio and visual components of the work but also…

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