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Louise Harris
Louise Harris

audiovisual composer, sound artist

  • About
  • Work
    • Interpreting Data through Creative Audiovisualisation (IDCA) – RSE-funded Fellowship
    • filigree traces
    • Composing Audiovisually
    • Visaurihelix
    • Alocas
    • pletten
    • fuzee
  • Performances, festivals, installations
  • IDCA Project
  • Porthia Press
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Louise Harris

audiovisual composer, sound artist

ilsonilus

Louise, October 13, 2015August 15, 2016

IMAG2811

ilsonilus:1 at the Kiblix festival Planetarium

The first in a series of large installation works investigating simultaneous sonic and visual illusions. This piece is intended for playback either on 4 walls of a square room, 4 screens arranged in a square, or projection mapped onto a circular/ring-shaped space. ‘1’ investigates binaural beating within discreet frequency boundaries in combination with an attempt at visually replicating lenticular printing within a flat two, dimensional space. The changes in sonic and visual material occur very frequently (approx every 7.5 seconds) but are constructed in such a way that, as the piece progresses, it becomes less apparent when the changes are occurring, creating a continuous, but not necessarily apparent, evolution. In installation, the work is intended to be physically affecting, at times disorientating but ultimately meditative.

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work

Alocas

Louise, December 14, 2017November 12, 2018

Alocas in situ at the Stephen Lawrence Gallery, Greenwich, London.  Alocas is one of a series of works for Expanded Audiovisual Format (EAF); an ongoing exploration involving pieces that are concerned, in both composition and exhibition, with moving away from a single-screen, two-speaker format. The work is intended to be…

work

dots

Louise, September 10, 2012March 19, 2014

dots is an audiovisual work experimenting with the relationship between audio and video simultaneously with the relationship between two-dimensional and three-dimensional objects.

work

AllEco

Louise, April 30, 2015August 15, 2016

AllEco was commissioned by Radio Arts (http://www.radioarts.org.uk/) as part of their Dreamlands series. The work uses recordings of local radio broadcasting from around the UK, from the late 1970s to the late1990s, particularly the jingles and sound bites used to advertise specific programming. Local radio, perhaps more so than national…

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